A young athelete becomes the unlikely star of an itinerant wrestling troupe, and a rival promoter will go to any length to steal him away.

To keep their struggling used-car dealership from closing, salesmen Sid and Bob agree to let a vintage 1963 Pontiac LeMans sit on their lot for two days in return for $250,000. Warned that the vehicle has been associated with many deaths already, Sid and Bob are soon pursued by hitman Mr. Reich and FBI Agent Jared, among others. As violence surrounds them, Sid talks his partner into stealing the car for a $500,000 ransom.

To keep their struggling used-car dealership from closing, salesmen Sid and Bob agree to let a vintage 1963 Pontiac LeMans sit on their lot for two days in return for $250,000. Warned that the vehicle has been associated with many deaths already, Sid and Bob are soon pursued by hitman Mr. Reich and FBI Agent Jared, among others. As violence surrounds them, Sid talks his partner into stealing the car for a $500,000 ransom.

A failed Brooklyn writer, Nathan Fisher, visits his ailing parents in Florida. His mother has Alzheimer's and his father has recently had a stroke and his girlfriend has recently broken up with him.

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. 　　From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.

A Short History of the Gaze is an experiential essay for Virtual Reality about the relationship between gaze and violence. 　　From the evolution of sight in a pre-cambrian sea creature to the dominance display of a primate, from a landscape of billboards begging for attention to an infinite panopticon, the player traverses and affects the virtual scenes by simply looking (or not looking) at things.

The 4th installment in Dustin Ferguson's MONDO SHOCK series.

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Walter Paisley, a busboy at a cappuccino bar called the Jabberjaw, is praised as a genius after he kills his landlady's cat and covers it in plaster. Pressured to produce more work, he goes after bigger subjects.